Video Editor resume example

• Entry level

  Video editor with a film degree and a year as an assistant editor on a documentary series. Organizes media, syncs multicam interviews and builds string-outs in Avid and Premiere Pro, and cuts short social pieces end to end. Edited 40 vertical clips for a nonprofit's channels last year. Seeking a junior editor or assistant editor role.

• Mid level

  Editor with six years cutting branded content and social video for agency clients. Turns raw footage into a first cut within two days, delivers 15 to 20 versions per campaign across lengths and aspect ratios, and handles basic color and audio in Premiere Pro and Resolve. Edited a product launch series that tripled watch time on the client's channel.

• Senior

  Senior editor with thirteen years in documentary and unscripted television, cutting episodes for cable and streaming outlets. Shapes story from hundreds of hours of footage with producers, leads 3 assistant editors on Avid shared storage and delivers locked episodes to network spec. Credits include 4 series and a feature documentary that screened at festivals.

• Editor and motion designer

  Editor and motion designer on an in-house marketing team, cutting product videos, event recaps and paid social ads. Builds titles, lower thirds and animated logos in After Effects, keeps a template library so other editors stay on brand, and delivers about 25 finished pieces a month with platform specs checked before upload.

• Film school graduate

  Film and television graduate who edited a 22-minute thesis documentary in DaVinci Resolve and assistant-edited two student features in Avid. Seeking an assistant editor role on a documentary or unscripted team to learn shared storage workflows and turnovers.

• Creator to editor

  Self-taught editor who has cut 150 videos for a YouTube channel with weekly uploads, handling story, captions and thumbnails. Applying for a social video editor role to bring short-form pacing and audience retention habits to a brand team.

• A reel that does not match the job

  Fix: A documentary producer and a social media lead want different evidence. Cut a version of your reel for each genre and open on your best ten seconds. Make the resume headline and top bullets name the genre the reel shows, so both say the same thing.

• Listing software with no workflow

  Fix: "Premiere, Avid, Resolve" says nothing about what you can run alone. Describe your workflow: ingest and proxies, bin organization, multicam syncing, conform and online, plus review tools such as Frame.io. Post supervisors want editors who leave a project clean for the next person.

• Hiding speed and versioning

  Fix: Branded and social teams need many cuts quickly. Show how many versions or aspect ratios you delivered per campaign, your usual time from footage to first cut, and how you handled rounds of notes. A line about turning client notes overnight tells a producer more than "works well under pressure".

• Leaving out finishing and deliverables

  Fix: Many editors also handle color, sound and graphics passes before handoff. Say what you finish yourself, which specs you meet (broadcast loudness, closed captions, platform files) and what you pass to a colorist or mixer. That tells an employer whether to budget for finishing on top of your rate.

Match these against the job posting you are applying to: the free resume checker shows which keywords your resume is missing.

Premiere Pro

List it with your level and mention project setup or team projects in a bullet.

Avid Media Composer

Say whether you worked on shared storage, such as Avid NEXIS, and in which genre.

DaVinci Resolve

Separate editing from color, and say which of the two you do in Resolve.

Story structure

Describe one piece where you built the story from raw footage, with the hours of material.

Turnaround

Give your usual time from footage to first cut and for a round of notes.

Versioning

Count the versions, lengths or aspect ratios you delivered per campaign.

Deliverables

Name the specs you met, such as broadcast loudness, captions or platform files.

Color correction

Note the tools and camera mix you matched, and when you hand off to a colorist.

• Cut 22 branded videos a quarter for consumer clients, taking each from raw footage to first cut in 48 hours or less.
• Delivered 18 versions per campaign across 16:9, 9:16 and 1:1 in three lengths, all tracked in one naming system the producers could follow.
• Built story for a 6-episode documentary series from 400 hours of footage, working with the producer from string-outs to picture lock.
• Edited 3 seasons of an unscripted cable series in Avid on shared storage, delivering every episode to network spec ahead of air.
• Color-corrected and graded 60 short pieces a year in DaVinci Resolve, matching footage from 4 camera types to the brand's look.
• Mixed dialogue, music and effects for 120 social videos to platform loudness targets, so short-form work no longer needed an outside mix.
• Turned around client notes overnight on 90% of review rounds in Frame.io, keeping a 30-video campaign on its launch date.
• Set up proxy and media management workflows for a team of 5 editors, cutting project handoff time from a full day to two hours.

• Match the genre and system in each posting

  Read whether the job is social, broadcast, documentary or branded, and which system the team runs. Put that genre in your headline, move the closest credits up and lead your skills with the named software. Swap in the reel for that genre. A documentary team will skip a list of 6-second ads. Tailor your editor resume to this job

• Open the letter with a cut you are proud of

  Start with one project and the editing problem you solved, such as finding a story in a pile of interviews or recutting a spot for vertical in a day. Connect it to the employer's own content, which you can usually watch online. Then add your systems, whether you want freelance or staff work, and the reel link again. Draft a video editor cover letter

• Expect an edit test

  Many teams send footage and a brief, then give you a few hours or a day to cut a short piece. Practice with unfamiliar footage under a timer and export to spec. Interviewers also ask how you organize a project, how you handle notes you disagree with and what you do when media goes missing. Prepare for your video editor interview

• Keep credits accurate and checkable

  Producers check credits, so give your actual role on each project: editor, additional editor or assistant editor. If you recut or finished someone else's edit, say so. Use the same titles and roles on your LinkedIn profile and in the reel, so anyone who checks finds one consistent record. Line up your LinkedIn credits